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| objective |
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| a position as a matchmove artist in visual effects |
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| skills/vfx |
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| technical experience |
· head and neck matchamation
· camera matchmoving
· reconstruction of 3D geometry from reference photographs |
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| coordination experience |
| · coordinated teams of integration, roto, and dustbust digital artists to produce 325 visual effects shots for Pirates of the Caribbean III |
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| editorial experience |
| · worked closely with internal and client editorial departments to ensure proper counts/paperwork |
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| production experience |
· created and maintained camera data logs, including script supervisor notes and camera matchmove notes
· created and maintained database tracking all material delivered/received between facility and client
· managed and tracked delivery of finaled shots via firewire drive and hd tape |
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| skills/computer |
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platforms: linux, mac, & pc
multimedia software: after effects, avid express, dvd studio pro, final cut pro, maya, pftrack, syntheyes, track5
print software: illustrator, indesign, photoshop
database software: excel, filemaker pro, word
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| skills/technical |
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16mm: aaton ltr, arriflex bl, arriflex s, bolex, eclair npr, steenbeck flatbed editor
miniDV/DVCam: multiple camera and editing packages, available upon request
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| work experience |
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| 2012 (2009) 35mm feature film |
| matchmove artist |
| sony, director Roland Emmerich |
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| G.I. Joe: Rise of Cobra (2009) 35mm feature film |
| matchmove artist |
| paramount, director Stephen Sommers |
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| The Curious Case of Benjamin Button (2008) 35mm feature film |
| matchmove artist |
| paramount, director David Fincher |
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| Pirates of the Caribbean III: At World's End (2007) 35mm feature film |
| visual effects assistant coordinator |
| buena vista, director Gore Verbinski |
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| Letters From Iwo Jima (2006) 35mm feature film |
| visual effects production assistant |
| warner brothers, director Clint Eastwood |
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| Flags of Our Fathers (2006) 35mm feature film |
| visual effects production assistant |
| warner brothers, director Clint Eastwood |
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| My Super Ex-Girlfriend (2006) 35mm feature film |
| visual effects production assistant |
| new regency productions, director Ivan Reitman |
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| * complete filmography available upon request |
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| education/awards |
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| The University of The Arts (2001-2005) |
college of art and design, philadelphia, pa
bfa in film/digital video production
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Mary Louise Beitzel Award for student excellence (nominated spring 2005)
Crozier Award for outstanding achievement in foundation program (spring 2002)
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